The freeleases just keep on coming from the Dopamine Knights in anticipation of our upcoming album! Here’s another cut from the Dopamine Knights camp, called Aliens. Ace and myself go hard over an original beat from Moses Manuel off of his Rap Over This mixtape.

Just a little something to keep you jamming.

Stay dope.


One Remix to Rule Them All


I don’t usually do individual song updates, but this one here is seriously something special. Here’s what you get when you mix the hottest MC currently in the game with a living legend. Not only does Jay-Z give one of the most impressive verses I’ve heard from him in awhile, it begins to cement Kendrick’s future impact on the game.

Imagine how exciting it would be as an upcoming artist to get one of the most famous in your industry to write a verse for you. Personally, the best part about this remix is that it’s on the track “Bitch, Don’t Kill My Vibe”. Of course, the song is a fan favorite off of the best album of 2012. Also, it is a song that began with Lady Gaga on the hook. The song does have a lot of publicity.

Even with this being true, it surprises me that Jay didn’t provide a verse for a remix of a radio hit. For example, “Swimming Pools (Drank)” (only reason I don’t say “Poetic Justice” is because Drake already has a feature verse). A remix on that song may signify a business deal between the two artists, providing the idea that it was set up for commercial purposes rather than artistic. This-as well as Jay-Z sounding like he’s actually trying to rap well-shows to me that these guys truly have a mutual respect for each other. It’s important when Jay-Z knows that his time in rap music is coming to an end, and passing the torch becomes necessary. Also, it’s important that he understands Kendrick is that next torch bearer.

Also, listen to Kendrick as he talks about how he feels about having this special verse from Jay-Z:

UPDATE: Check out this firsthand reaction from Kendrick himself after the first time he hears the Jay-Z verse. Priceless.

Crowd Pleasers


Check it out guys! Dopamine Knights back with another hot track. This time it’s Crowd Pleasers, an ill posse cut from the Crunk Table camp. We even brought Froond around for the party.

Hope you guys enjoy, stay dope. More music and videos coming!

Hip Hop Groups 101: The DJ

JamMasterJay1The Hip-Hop group has always been an important structure of the genre; evolving and diversifying throughout time. Whether its an MC/DJ combo, multiple MC’s, or Hip-Hop Fusion, groups have continued to change and be influential. Acts such as Outkast, UGK, Run DMC, and Little Brother have all influenced my taste greatly, contributing a unique sound to the landscape of Hip-Hop.

DJ’s in this modern era tend to be overlooked, as the focus is more on the MC. This has to do with marketing potential, breakthrough advancements of sound production over the years, and the differing styles of live performance.

For example, if you attended a hip-hop show tomorrow, the artist you see will probably have a straight act with no true DJ breakdown (there may be scratches here and there, beat changes, etc.). This could change, though, due to the artist traveling with a high-profile name. A high-profile DJ act will probably want to market themselves just as much as the featured MC, especially if they are on tour together. Even then, the performance would be much different than, let’s say, an Eric B. & Rakim show from 1986.

Notice how present Eric B. is on the stage as well as in the song itself. Constantly being referred to during the performance, as well as adding in custom changeups and playing with samples. Eric B. was high profile as well, but high profile because of how prevalent he was in the group. This was a very common aspect of groups in the 1980’s. Run DMC, Grandmaster Flash and the Furious Five, Boogie Down Productions, and Gang Starr all had prominent performing DJ’s. Live DJ performance is mainly rooted from the origins of how Hip-Hop began. Chopping beats and adding breakdowns in samples was very important for audiences to stay interested, as well as creating musical ideas for further production advancements.

Even if that trend has been on a decline, there are still many groups today that have a strong base around a talented and prominent DJ. For example, 9th Wonder from Little Brother has had a huge impact on the scene since the early 2000’s, developing a sound that many artists in the industry currently try to emulate.

Another aspect of how production is changing is the amount of producers and loose beats on the internet that virtually anyone can use. In the 1980’s era, the idea of having a DJ was important for the look and feel of your group. The DJ was a necessity for live performance, as well as a huge part of the personality of your act.

While the industry has mostly moved past this idea, it will always be a gigantic step in the evolution of Hip-Hop groups.